The Bodleian First Folio

A digital facsimile of the First Folio of Shakespeare's plays, Bodleian Arch. G c.7.



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Love's Labour's Lost - 4037

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Play: Love's Labour's Lost

Act: 4 - Scene: 2

Hol. Hol.

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Hol. Sir, I praise the Lord for you, and so may my

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Hol. parishioners, for their Sonnes are well tutor'd by you,

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Hol. and their Daughters profit very greatly vnder you: you

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Hol. are a good member of the common‑wealth.

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Nath. Nath.

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Nath. shall want no instruction: If their Daughters be capable,

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Nath. I will put it to them. But Vir sapis qui pauca loquitur, a

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Nath. soule Feminine saluteth vs.

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Nath. shall

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Nath. Loues Labour's lost.

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Nath. Enter Iaquenetta and the Clowne.

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Iaqu. Iaqu.

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Act: 4 - Scene: 2

Iaqu. God giue you good morrow M. Person.

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Nath. Nath.

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Nath. Master Person, quasi Person? And if one should be

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Nath. perst, Which is the one?

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Clo. Clo.

Play: Love's Labour's Lost

Act: 4 - Scene: 2

Clo. Marry M. Schoolemaster, hee that is likest to a